Submit your score at the end of each game. Starting at midnight tonight, California time, so that’s 12AM PST, start playing to Stone In My Hand by Everlast, on Tap Revenge 1.2.
Here’s more about the contest from Tapulous’ site: The ads are relatively unobtrusive, showing up on the bottom of the menu screens and, as far as I can tell, not during the actual gameplay itself. When I talked to Decrem a few days ago, he was very excited about the prospects of monetizing the application with AdMob ads. Now comes a big test to prove if he’s right or not. These ads are being served by the mobile advertising startup AdMob.ĪdMob’s vice president of marketing Jason Spero told us recently that the iPhone will showcase how powerful mobile ads can be. The other big news is that version 1.2 of Tap Tap Revenge brings with it advertisements. “Each Thursday we will launch a hot new track by a major artist,” Tapulous owner Bart Decrem explained over email. This Everlast release is the first of what Tapulous is calling “Tap Tap Thursdays” (though yes, today is a Friday). The winner will receive $1,000, and the finalist will get a signed Everlast CD. A few rounds will take place this weekend, with the final round coming on Monday (Labor Day) with an event that will be streamed live on uStreamTV at noon PST. It’s great.Īlongside the new version and song, Tapulous, the parent company of Tap Tap Revenge, is launching a contest for players.
It’s the actual version of the song, not a cover. Although the soundtrack still includes some mainstream songs from the States, it certainly goes heavy at times with tunes that will have you adding new-to-you artists to your Spotify playlist.I’m playing the game with the new song right now.
#Tap tap revenge 3 soundtrack series#
Moon Knight is helmed by Egyptian director Mohamed Diab, who told The Hollywood Reporter he wants the series to show a side of his country rarely seen in Western media. The track played over the opening titles is “Enta” by DJ Kaboo, known as “The Arab Trap King.” The pioneering Middle Eastern DJ’s tracks are also featured in multiple episodes. In Episode 3, the show replaced the opening track a second time, marking the first time a series has done this twice. Moon Knight, too, replaced the expected Marvel opener track in the premiere with “A Man Without Love” by Engelbert Humperdinck, marking one of the few times a Disney+ series has strayed from the typical Marvel theme song. Black Widow opened with a cover of Nirvana’s “Smells Like Teen Spirit,” replacing the usual Marvel fanfare Eternals played Pink Floyd’s “Time” from the Dark Side of the Moon album over the opening credits. It’s not the first time Marvel has leaned into classic rock in the past year. Moon Knight’s first episode starts with a cold open set to a lesser-known classic rock track from the early 1980s and follows it up with a pop ballad clearly from the pre-Beatles era of rock and roll. Warning: Minor spoilers for Moon Knight follow. Even the songs on Moon Knight’s Season 1 soundtrack help blend American and Middle Eastern cultures with bangers from both.
(The other two, both The Guardians of the Galaxy films, were ensembles headed up by, you guessed it, a white straight man.) Phase 4 is working to correct this both on the big and small screen, such as with Moon Knight, a Middle East-set story starring Oscar Isaac, who is of Latin American descent. The series of big-screen films started out playing it safe, with white, straight, male superheroes starring for 15 of its first 17 films. Kevin Feige, CEO of the Marvel Cinematic Universe, has made it clear he’s aware that MCU has a diversity problem.
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